Visual Vibrations
Energy into Imagery
My practice centers on making subtle systems visible, forces that operate quietly beneath the surface of everyday experience. I am interested in how material processes can reveal tension, balance, and transformation without relying on overt representation. Rather than illustrating specific narratives, I use abstraction as a way to engage perception and invite sustained looking.
Duality plays a central role in my work. I am drawn to conditions where opposing forces coexist—order and chaos,control and chance, permanence and impermanence. These relationships are not problems to be resolved but states to be held simultaneously. Through material investigation and repetition, I seek moments where equilibrium emerges organically, shaped as much by process as by intention.
My approach is informed by an attentiveness to sensation and memory—how intangible experiences can register physically and emotionally. By working slowly and allowing materials to assert themselves, I create space for uncertainty and quiet observation. This slowness functions as both method and resistance, countering the speed and overstimulation of contemporary life.
Ultimately, my work aims to create moments of pause that encourage viewers to reconsider how meaning forms through subtle interaction rather than dominance or spectacle. By foregrounding process, tension, and restraint, I hope to foster a deeper awareness of the fragile systems—material and experiential—that shape how we perceive and inhabit the world.
Duality plays a central role in my work. I am drawn to conditions where opposing forces coexist—order and chaos,control and chance, permanence and impermanence. These relationships are not problems to be resolved but states to be held simultaneously. Through material investigation and repetition, I seek moments where equilibrium emerges organically, shaped as much by process as by intention.
My approach is informed by an attentiveness to sensation and memory—how intangible experiences can register physically and emotionally. By working slowly and allowing materials to assert themselves, I create space for uncertainty and quiet observation. This slowness functions as both method and resistance, countering the speed and overstimulation of contemporary life.
Ultimately, my work aims to create moments of pause that encourage viewers to reconsider how meaning forms through subtle interaction rather than dominance or spectacle. By foregrounding process, tension, and restraint, I hope to foster a deeper awareness of the fragile systems—material and experiential—that shape how we perceive and inhabit the world.